| Contemporary Fresco Gazette |
[Site]
[XML]
|
|
Description: TrueFresco.Org, a nonprofit webspace, established to host Art community, Outreach Programs and Art News Publishing Center. It is targeted to develop foundation for the Fresco Painting Society. Contemporary Fresco Art Gazette delivers Art News and Network Updates with dynamic Art Blogs on fresco painting and restoration, fine and decorative arts, sculpture, architecture and interior design. Content is published in Browser and PDA formats, syndication with RSS and XML Art feeds.
Last Update: 03:44:39 03/05/2006
|
| |
Additional Info
First Fetched: 00:16:21 01/31/2004
Last Updated: 03:44:39 03/05/2006
Headlines
<<
>>
1
2
|
|
|
But it has recently been learned that, at the end of last year, a stone slab forming part of the altar was heaved aside to reveal the first visible evidence for the claim: a monogram with the letters M, B and F intertwined. MBF is thought to stand for Michelangelo Buonarroti (his name) and fecit (did (it) in Latin), a common way of asserting authorship, or fiorentino (the Florentine).
|
|
|
|
|
|
6-Day Private Professional Fresco Workshop is the ultimate option offered by The Fresco School. This class is the best solution for a serious artist with a goal. During this 6 days of this private fresco workshop student receives undivided one on one guidance from our instructors and enjoys privacy and access to the fully equipped fresco studio in Marina Del Rey, California.
|
|
|
|
|
|
The murals Diego Rivera executed for the National Institute of Cardiology in Mexico City (figures 1 and 2) are a testament to his talents as a painter as well as to his prodigious energy. The History of Cardiology consists of two panels of 6 m by 4 m and were completed in time for the inauguration of the new institute building on 18 April 1944.
|
|
|
|
|
|
Fresco Mortar or Plaster is made of high calcium lime putty and "aggregate" which, most commonly is washed river sand, marble meal, volcanic tuff or the combination of it. The proportion of the mortar or plaster mix generally is:
|
|
|
|
|
|
A rare 16th Century Italian fresco has been restored to its original appearance after being painted over more than 150 years ago. The Separation of Night and Day, painted by Guido Reni in 1599, will go on display at the National Trust's Kingston Lacy mansion, in Dorset. Restorers have removed oil paint that was put over the work when removed from its original home in Italy.
|
|
|
 |
|
|
|
The rich life of an artist who was a pauper Gian Singh Naqqash, who painted the interiors of the Golden Temple, died in poverty but four generations after him have nevertheless devoted themselves to embellishing Sikh art, writes Varinder Walia Imagine a revered Sikh naqqash, who painted frescos on the walls of the Harmander Sahib, including the dome of the structure with indigenously prepared colours for more than three decades, died in penury in 1953 at the age of 70. He was then selling clay toys painted with the same brush.
|
|
|
|
|
|
|
(ANSA) - New York, October 24 - Renaissance genius and patron saint of artists Fra Angelico is set to wow New York with the first major American exhibition of his work . The Metropolitan Museum has combed 50 collections all over the world to serve up 75 works by the master and several more by his pupils. The show spotlights Angelico's pellucid, ethereal altar panels, his otherworldly Madonna and Childs and the intricate decorativeness of his smaller works .
|
|
|
|
|
|
|
Why an Introduction to Fresco Class? After many years of teaching frescos classes, and evaluating the feedback received from prior students, The Fresco School put much thought into designing an introductory 3-day workshop. Three days, we felt was needed to introduce to new students the very important basic fresco techniques; the preparation of the cartoon sketches, applying plaster, exposure to mixing and grinding natural pigments, and the painting process.
|
|
|
|
|
|
Church fresco concealed beneath layer of plaster (ANSA) - Venice, October 10 - Art restorers have uncovered a painting by Tiepolo that has been hidden for more than a century inside a Venice church . The fresco called Faith was discovered in the Church of Santa Maria Maddalena beneath a layer of plaster on a semicircular panel or lunette .
|
|
|
|
|
|
On July 18-19 of 2005 as part of Fresco Schools outreach program, Childrens Fresco workshop took place in Los Angeles. Workshop was conducted by the founder and instructor of the Fresco School, iLia Anossov and me, and what a joy this was, so here is how this adventure unfolded . . .
|
|
|
|
|
|
New "Introduction to Fresco" 3 day Fresco Workshop at FrescoSchool.Org This program is designed to give a comprehensive insight and practical introduction to traditional buon fresco at low cost to the student as well as prepare students to maximise their results during our Professional Fresco Workshops.
|
|
|
|
|
|
|
Fresco School is proud to announce it's new 10 week long fresco painting program in Los Angeles! The program starts with two independent sessions: Summer Session starts June 23rd September the 3rd. Summer/Fall Session starts July 14 till October 1st Only 4 students are accepted for each session. Each session begins with 5 day intensive buon fresco workshop and continues with weekly classes, fresco painting and fresco plastering practice sessions. Students will be provided with all necessary tools and materials for scheduled classes as well as an equipped fresco workstation is assigned to each student at our studio in Playa Vista (Marina Del Rey, Los Angeles) for the duration of the program (10 weeks) for independent and instructor assisted fresco practice. You will learn and practice: Fresco Pigments & Color - preparation, testing, storing, mixing, etc. Fresco Plastering - from decorative fresco tiles to fresco walls and ceilings. Fresco Painting - all aspects of painting including ...
|
|
|
|
|
|
|
New dates for FrescoSchool's Los Angeles 5 day Professional Fresco Workshop have been announced - May 26th - 30th! This workshop takes place in Fresco School's new Playa Vista Studio in Los Angeles that iLia Anossov, school's founder and head instructor runs in association with Nathan Zakheim - a reknown fresco restorer and conservator. Karen Bakke travelled from Fargo, ND to take our Fresco Workshop this March, here is her review of the class: "I attended the LA fresco workshop with iLia. Eager to learn fresco with no prior knowledge of the history or process, iLia had a tall order to fill. And what a job of filling that order he did. I started with an Internet inquiry of the class. iLia and I spent a considerable amount of time on the phone and writing emails before I decided to sign up. That in itself was a huge factor, his passion for frescos came shining thru brighter then ever. I asked a lot of questions in the 5 days, and I was always given a complete answer to my ...
|
|
|
|
|
|
|
New chapters have been added to Fresco-Techniques.com Website Studio Setup. Mostly some extra suff that you will need to have and ways to keep plaster and plaster dust away from the rest of the studio. Also you will need a few shelves for storing fresco colors and pigments - that old box housing a pile of paint tubes, just wont do. Ideally you will have a few plastic shelving units (available in most home/office stores) with drawers size about 10" wide 3" deep and 14" long for your dry pigments. A separate heavy duty shelf with table for your plastering and about 6'X 6' section of the wall prepared with scratch and arriccio plaster coats for practice. more at Fresco Studio Setup Fresco Cartoon. Fresco Cartoon is the most important step in creation of Fresco - it is your "blueprint" for all of the future work. The layout of giornatas, values, shadows, composition - all those and other elements are developed during this step. "Cartoon" - full scale drawing of the future fresco. ...
|
|
|
|
|
|
|
Truefresco.org is proud to announce a new dimension to its ever growing web database of fresco knowledge - Fresco-Techniques.com. The website is a work in progress publishing the Internet version of iLia Anossovs upcoming book on Fresco Painting Techniques. This website is another effort of iLia Anossov and the Fresco Schools team dedicated to foster the rebirth of fresco throughout the world, while adding another dimension to our online information. This site is intended to provide you with detailed guides for creating and recognizing frescos, whether it be Buon (True) Fresco, Secco Fresco or Faux Fresco. The website will give you the knowledge and on-hand tutorials to complete a wall fresco, fresco panel or decorative fresco tile.
|
|
|
|
|
|
|
The Fresco School is proud to announce a five day fresco workshop running from March 17th through the 21st. For this workshop The Fresco School continues their collaboration with renowned fresco conservator Nathan Zakheim. The combination of such knowledge and talent provides a rare and rewarding opportunity for the schools students. It is impossible to predict when a class of this magnitude will be offered again. The students who attend these classes become acquainted with all the steps of buon fresco painting: preparation of the cartoon, mixing colors, grinding pigments, building plaster coats, laying intonaco, methods of joining giornatas, and climate/moisture control. They will practice building color and working with values and shadows. The students will be shown how to achieve richness of color using transparent fresco paints through the use of verdaccio under-painting. In addition to learning the classical methods, the student will also be instructed in modern and ...
|
|
|
|
|
|
|
The Fresco School is proud to announce a five day fresco workshop running from January 13-17. For the January workshop, iLia Anossov and Ian Hardwick have joined forces with renowned fresco preservationist Nathan Zakheim. A combination of such talent is extraordinary and is something that should not be missed. The Fresco School has perfected a style in which all who are interested can learn. The head instructor at the school, iLia Anossov, understands that people need to be introduced to a complicated medium such as fresco in a form that they know and understand. He begins by allowing each student to work with images they chose, in a style they are comfortable with. iLia believes that the more freedom students have, the more willing they are to attempt new and different techniques. His teaching style also relies heavily on individual attention with each of the students. Both the freedom that iLia encourages and the one-on-one instruction help to make the class accessible to artists ...
|
|
|
|
|
|
|
The Fresco School has held yet another successful workshop demonstrating their unique trademark, hands-on professional level instruction delivered with technical precision and personal passion that enables and inspires their students to create successful, true to classic buon fresco technique works of art the moment they enter the class whether the student is a professional artist, novice or an art student. . This class was the first to take place in Baltimore, MD. Until this point students who wanted to take our classes had to come to the Los Angeles area. Due to the rapid increase in demand and invaluable efforts of K. J. Wolf a fresco artist and our East Coast Director, the school is in the process of expanding. This workshop held from August 18th to the 22nd took place in the sanctuary of a turn of the century Methodist Church in downtown Baltimore. The stained glass windows and massive stone walls created an atmosphere ideal for our students and the growth of their creativity ...
|
|
|
|
|
|
|
We are excited to announced that trueFresco.Org and FrescoSchool have joined National Public Radio community of donors! Trough NPR & PRI auctions held through out United States you will be able to bid on Fresco Materials & Supplies, Fresco School Tuition Vouchers, Fresco Posters and more to come! You listen to WYPR every day. Now here's a chance to see WYPR up close and personal through the second annual Online Auction! The first auction held last year and was huge success, helping WYPR to raise crucial operating funds to pay for the programming you've come to rely on.
|
|
|
|
|
|
|
To the sounds of classical music, I sat down last Sunday, and I poured out my dry pigment of Verdaccio into a little pile, onto my glass top table, making sure as Wolf said, that everything was kept very clean and pure. I made a small well in the center of the pigment, and poured a small amount of distilled water into this center. There were no chemicals. Just the essence of the pure earth pigment, the water, and me. And so I began. I started with Verdaccio, because to me, it is the mother of all the paints and most importantly will be what I use for my underpainting. Verdaccio is a dark green, brown earth substance. I am mixing a limited amount of pigments for my palette; ochres, sienna, umber, red, terre verde, ultramarine, and bianco san giovani. In fresco, not many colors are needed, as the colors are kept simple, and beauty grows out of the underpainting and the different layers of paint which form depth.
|
|
|
|
|
|
|
Once upon a time about four years ago, when the heat was stifling and I was in a small studio in Los Angeles, sifting sand to make a Fresco, I wondered what I had been dreaming about all the long years in search for just such an experience. Two chimney smoking and energetic guys, one from Russia and the other from the United Kingdom, were speaking and demonstrating at a wizard speed the deft and rich art of preparing a surface (like a skin) that would hold a glimmering and shimmering painting in lime plaster, called Fresco. I had always wanted to paint as the masters of the Renaissance had, and here was my opportunity. I had traveled 3000 miles within the United States to find this experience, as no other was available, not even in the home of Fresco, Italy. The irony that it was, if not in my own backyard, was that it was just on the other side of the country from me.
|
|
|
|
|
|
|
Did you wonder how Pompeians did those deep seamless backgrounds of their frescoes? New website featuring illustrated walkthrough of iLia Anossov's Dolphin Fresco went live today at http://DolphinFresco.com. Site features step-by-step photographs of the technique, materials used and guide. Dolphin Fresco is a fine example of combining Ancient Pompeian Fresco method, when colored Intonaco Plaster was used to achieve uniformity of background color, Early Mediterranean laconic imagery design and Renaissance style of verdaccio underpainting is used to create a new interpretation of Classic Theme seamlessly integrated into contemporary setting.
|
|
|
|
|
|
|
The Fresco Shop at TrueFresco.com is undergoing a fresh beginning. With the advent of our new fresco school in Baltimore and the soon to begin restoration and fresco project at the St. Johns Cathedral, and the increasing demand for frescoes around the US, it became essential to create a complete and easily accessible resource for the hard to find supplies needed by the fresco artist. The artists at the first Baltimore workshop, held earlier this month, were the first to see some of the authentic fresco products that will become the foundation items that the Fresco Shop will sell. With the help of Mitchell Nussbaum of Coppola Bros. Company, the renowned Italian plastering firm in Scottsdale, Arizona, TrueFresco.Com Fresco Shoppe will now be able to deliver these sought after fresco supplies to the beginning artist as well as for professional fresco painter. The Shop will be configured to supply both small and large fresco projects as a one-stop fresco shop.
|
|
|
|
|
|
|
The Fresco School is proud to announce there new project. A creation of the buon fresco cycle in St Johns of Baltimore City United Methodist Church is soon to begin. Presently the church is working on the restoration of its sanctuary
|
|
|
|
|
|
More than 300 years this fresco was hidden by a false ceiling. Pigeons helped to discover it, the little image that this article has shows quite incredible work.
|
|
|
|
|
|
I LA Designs, under the direction of Ilia Anossov, has recently completed a new fresco in a private home in Marina Del Rey. This is one of many recent fresco projects that I LA Designs has been commissioned to complete. The increase in demand for their expertise in the fresco technique speaks to a rebirth of interest among the public for this ancient form of art. Through their use of innovative and traditional techniques, I LA Designs has found themselves at the forefront of contemporary fresco production. The fresco in Marina Del Rey is another fine example of their skill.
|
|
|
|
|
|
|
The first few months of this year has been extremely busy for the artists of ILAdesigns. Not only were they responsible for the decoration of this years Governors Ball, but they were involved, simultaneously, in an extensive renovation project on the Park Plaza Hotel located in downtown Los Angeles. The building had aged well, yet there were many areas that had begun to deteriorate. In many places, the intricately painted ceilings had begun to crack and chip. In others, the painted plaster of the wall had been scraped; exposing chalky white streaks. In this restoration project I LA designs drew upon their extensive experience in faux finishing, fresco & mural painting, and plaster work.
|
|
|
|
|
|
|
"Cartoon" - full scale drawing of the future fresco. Cartoons are drawn on regular paper with pencil, graphite, charcoal, sepia chalk, etc., etc. The purpose of a cartoon is a thorough study and final rendition of the composition, light, shadow, details of the future fresco, it is a preparatory drawing taken to the next level.
|
|
|
|
|
|
|
iLia Anossov believes that most efficient way to introduce artists to a new and complicated medium such as Fresco as well as explain and demonstrate techniques of the Masters is to allow students to work from the images of their own selection. Images and styles that each student feel comfortable with and had painted in other mediums. During the workshop Mr. Anossov is working individually with each student. His guidance and advice are targeted specifically to the individual student and his/her personal style. With this approach each student has an opportunity to learn the techniques of the Great Masters within the comfort of their own style and/or their own selection of the image.
|
|
|
|
|
|
|
For over three months the interior decoration of the Governors Ball has been the sole priority of this Los Angeles based art firm (iLAdesigns.com). Whether it was the creation of over 27,000 sq. feet of hand painted "trompe fresco" décor lining the ceiling, or the large handpainted in verdaccio grizaille mural depicting orchid in bloom, the time spent and their dedication to this project was unparalleled
|
|
|
|
